LONDON, LABOUR AND THE FORGOTTEN
Teagan Dorsch

The River Thames estuary, London,
UK






London, Labour and the Forgotten - PDF



‘London Labour and the Forgotten is a fictionalized re-imagining of Henry Mathews ‘London Labour and the Poor’. It takes the form of an annotated epistolary novel with the narrative presented as textual juxtapositions creating space between the fragments allowing the audience to build their own narrative connections based on key information that surfaces to them. It becomes a series of Priming fragments, whereby the order of the pieces influences how the subsequent artifacts become read.

The work re-examines Henry Mayhew’s tonality and harsh description of the mudlark. This is done through a perspectival shift into the imagined first-person perspective of Mayhew’s Mudlarkers, shifting his words and descriptions while giving them space to tell the narrative; and into a second-person perspective exploring the experiential embodiment of Thames foreshore. Fragments of the text are then inputted into Inferkit’s AI Text Generator as a process to explore how tonality affects representation. This is Done through the AI’s intensification of the tone of the input within its developed responses. The AI then can be understood as a mudlark in the expanded sense of how it gleans the input text for important words that surface to it for it to generate a response from. The text then becomes annotated with handwritten notes and marks attempting to mudlark the keywords that influenced the tone of the AI between it and the fragment text.

As a final act, the text becomes obscured and effaced by being buried in the mud at the river’s edge. This obscuring of text draws on the happenstance of mudlarking, whereby objects become buried and unburied by the chance of the Thames and the mud of the foreshore. Creating text that become buried under the mud while others surface on the page.‘

Teagan Dorsch
 

 

Echoes and Intersections is a collection of site-writings produced as part of the module Critical Spatial Practice: Site-Writing across the MA Architectural History, MA Situated Practice, and MA Historic Urban Environments dgree and PhD programmes at The Bartlett School of Architecture, UCL.

The featured works take the reader through fixed spatial locations and buildings, and on temporal journeys across ambiguous lands and waters. Written simultaneously across the globe, our situated writing offers diverse perspectives and narratives on plural geographies, landscapes and cities, through pieces interwoven with multiple, intersecting threads.

Many of the works occupy edgelands, peripheries or crossing points, writing the boundaries of buildings, states or bodies. They explore homelands, homes and selves that have been deconstructed, revealed and returned to. Echoing with memories, histories and absent others, the sites written carry the voices of place and voices displaced or fragmented, which resonate through the materials of the land - mud, sand, sky and rock.

These writings can be read in any order, allowing connections to emerge differently upon each reading.

Curatorial committee: Toby Blackman, Chia-Ying Chao, Kanza Leghari, Charlotte Morgan & Rasha Saffarini. 

With thanks to Polly Gould, Jane Rendell and David Roberts.




Bloomsbury Festival 2021

In October 2021, participants from the class read from their work on Bloomsbury Radio as part of Bloomsbury Festival 2021, alongside Polly Gould, Jane Rendell, David Roberts and participants from the class of 2020.

Find the recordings on Soundcloud here.